Original generated cover art — not a reproduction of any published cover
Han Solo and Chewbacca before the cantina: a decade of bad jobs, worse partners and one crystal that everybody in the galaxy seems to want.
Ten issues from Marvel between 9 March 2022 and 1 March 2023, written by Marc Guggenheim with David Messina as principal artist. Alex Maleev drew the first cover and Phil Noto the rest.
This run is in the catalogue but has not been written up. Everything above is verified publication data; there is no opinion here yet, and a placeholder review would be worse than none.
The arc breakdown and issue list below are the useful part for now.
Structure
How the run divides, and where a reader can get on and off.
#1–5
The Crystal Run
The opening arc.
#6–10
Dead or Alive
The closing arc.
Every issue
Number, title, cover date and credits. A dash means the field is not verified — not that it is empty.
| # | Title | Cover date | Writer | Artist | Cover artist | Arc | Notes |
|---|---|---|---|---|---|---|---|
| 1 | — | March 9, 2022 | Marc Guggenheim | David Messina | Alex Maleev | The Crystal Run | |
| 2 | — | May 18, 2022 | Marc Guggenheim | David Messina | Phil Noto | The Crystal Run | |
| 3 | — | June 29, 2022 | Marc Guggenheim | David Messina | Phil Noto | The Crystal Run | |
| 4 | — | July 20, 2022 | Marc Guggenheim | David Messina | Phil Noto | The Crystal Run | |
| 5 | — | August 10, 2022 | Marc Guggenheim | David Messina | Phil Noto | The Crystal Run | |
| 6 | — | September 28, 2022 | Marc Guggenheim | David Messina | Phil Noto | Dead or Alive | |
| 7 | — | November 16, 2022 | Marc Guggenheim | Paul Fry | Phil Noto | Dead or Alive | |
| 8 | — | December 28, 2022 | Marc Guggenheim | — | Phil Noto | Dead or Alive | |
| 9 | — | January 18, 2023 | Marc Guggenheim | — | Phil Noto | Dead or Alive | |
| 10 | — | March 1, 2023 | Marc Guggenheim | — | Phil Noto | Dead or Alive |
In print
No collected edition of this run has been catalogued here yet.
Dossiers
Encyclopedia entries for the figures this run develops.
The genre’s most durable scoundrel, and a surprisingly hard character to write well in prose.
